Motivation is Rewarded

01After photographing dance in Cuba & then at Chautauqua Institute in 2017 I was hooked on this subject. Earlier this year I sent out emails to potential resources seeking to collaborate. This gave me the opportunity to explore other genres & environments of dance. The basic challenges of capturing dynamic images during rehearsals or stage performances were the same as the limited ballet photography I had done. That experience proved to be of value.

02Attack Theater performances are of the modern/contemporary genre. Although the dancers choreography is significantly different than classical ballet, the movement, athleticism & the forms are entertaining & inspiring. I did notice that more often than not, the number of dancers on the stage was an even number. I prefer odd numbers of primary subjects but I was able to adapt.

03During a tech rehearsal I was able to be very close with my 40mm lens allowing me to capture some of the facial emotions, which are an important aspect of this performance. The side lighting was typical for a stage performance but the production also included projected images on the background screen. The imagery of the projections added to the impact of the performance. However, for still images it was distracting when on the dancers body. This image is a good example of why I like odd numbers of subjects.

04“Game Night” was a chance for Attack Theater to engage with the audience in a relaxed atmosphere while developing an upcoming performance. The space is a rehearsal hall with no defined seating for the audience. This was a good opportunity for me to be close enough to use my 28mm. I targeted to pools of light waiting for the dancers to move into them. The background worked surprisingly well. Stage lighting, while not always good for photography, can create strong shadows.

05Using the shadow to make this a 3 shot works for me. The ISO is high making it grainy but that’s OK. At first the wooden apple box bothered me but the strong low/side lighting on it adds to the geometry in the frame. This is an image I would like to choreograph for photography. I also like the re-crop to a 2 X 1 format.

06Wide shots with empty space can be as dramatic as a close-up & can be an important part of the story. Each of the dancers hit the perfect mark for the lighting. Positioned near stage left & slightly elevated I was able to add some dimension while including well-lit props. Even when the dancers are not moving, I believe including the space they are in reinforces their form. Using the 2 X 1 crop again, I emphasized the weight of the lower 1/3 pulling your attention down to the floor.

07Call it modern or contemporary, the movements & choreography on stage are entertaining. Attack Theater incorporates music & theater into a dance performance I found as powerful as my limited exposure to more classic ballet. The human form is a wonderful brush to paint with. Including emotion with character while doing this provides an inspiring performance that sticks in your mind.

08In a post from 6/15/18 I explored the creative process of Mary Miller & Charles Hall as they developed a dance piece with a story-line about friendship. My early involvement with their work allowed me to know when & where to be to get that moment while providing a better understanding of creative development.  Initially I was disappointed at the vertical split of the background in this shot but I got over it. The strong lighting & the facial expressions dominated my eye. The motion blur of his right hand is a nice reinforcement to the message on his face.

09bAt the performance of the Nandanic Dance Festival I had the chance to see different styles of Indian dance. It is not Ballet or Modern. These performers have exclusive genres of movement with elaborate costumes & make-up. In this medium close-up shot it is easy to see the importance of the eyes & facial expression in the character of the dancer.

10Another dancer in the Nandanic performance provided his own soundtrack as he choreographed his drum playing with impressive dancing. The combination of coordination, musical talent & expression made this piece exciting.

11While I thoroughly enjoyed the performance on the stage, as a photographer, I would like to have controlled lighting in a studio with this genre of dancers. The costume, the jewelry, the make-up when used on these performers deserves special attention separate from a live performance.

12My initial attraction to this image came after I cropped it square. The depth & the balance worked well. However the lighting, the background and the color were distracting. With no offense to photogs that do good B/W, sometime just removing the Chroma can make an OK image much better. I am fortunate that I was able to explore more dance photography. Come 2019 I will try to coordinate more opportunities or even enroll in a workshop.

Natural Available Light

The variety of natural/available light motivates me to look at a scene in different ways. The diversity of lighting characteristics provides many interesting perspectives on subjects I may otherwise not have noticed. Technically I have no problem with high ISO further expanding scenes I see & try to capture.

 

The variety of natural/available light motivates me to look at a scene in different ways. The diversity of lighting characteristics provides interesting perspectives on subjects I may otherwise not have noticed. Technically I have no problem with high ISO further expanding scenes I see & try to capture.

01
Shadows have an important role across all genres. This window accent in late afternoon light provided a wonderful display of contoured shadows. I have worked with this as a B/W image but I prefer the subtle hues in the original.

02-3
The back-light was coming in from the barn door & with assistance from the drops of moisture it provided another layer of texture to a simple subject. When I first walked into the space the light is what got my attention. I then searched for a subject. There are many ways back-light can impact an image. With the proper position it can separate, add strength, create a mood or accent the subject.

03
A personal preference for floral images is a background that supports the primary composition without conflict. This can be frustratingly hard when I am trying to isolate the beauty of a single flower. In a situation where back-light is the dominant source, backgrounds usually have less light & I can easily reduce the depth of field letting the background become soft forms, diffused shadows & muted colors.

04 copy
Overcast & rainy can be a good time to get waterfalls if you crank up the ISO. This is 5K f29 at 1/60. The reflective falling water is the natural bright component but much of the atmosphere is in the shadows. This hike was one of the few times I regretted not having my tripod to use for a long exposure. Fortunately I had good foul weather gear.

05 copy
When doing street photography I listen for street musicians because they add layers to the scene. A septet of musicians on a corner is hard to miss. I think the trombone player recognized the need to lower himself for me to see the entire band. For just a moment I was in sync with their tune. The strong available light on the BG wall was over-blow but Photoshop, even with a jpg original, was helpful. The noise/grain isn’t a distraction in my eyes. ISO12800 may seem ridiculous but it was the setting I needed to capture this NOLA moment. In my mind, if I had had to set up fill flash the intimacy would have been gone.

06
Landscape photography requires a commitment of getting on location for early am light that I don’t have. However flat light of mid-day, clouds & reflections can result in some nice captures. To integrate reflections in the frame I explore different perspectives & angles. At times examining the direction of light & reflections is a lot like walking around a pool table to find the best shot. This shot is just off of Rt 120 North Meadow of Yosemite.

07
Sunset fits my lifestyle more than sunrise. Give me a Ferris wheel, a sunset, an American Flag & water to work with & I will find an image. If only their had been a gull in the upper right. The Puget Sound/Seattle area is a place I would enjoy exploring more.08
The soft diffused light on the only bright part of the frame pulls your attention to her somber face. While the color of her coat, her posture & the background hint of melancholy, the umbrella helps frame her face & also adds an element of structure into the scene. The unseen factor is that it was taken in Liverpool England, which has a reputation for dreary weather.

10
This is where I say I Love Digital. When I walked into this tobacco-drying shed in Vinales Cuba I immediately was captivated by the harsh tropical sunlight reflecting off of the deep brown dirt floor. After 1 year of experimentation I understood the advantages of RAW & was comfortable with the low light capabilities of my camera. This is exactly what my eyes saw. Being able to almost immediately capture it was very rewarding. The entire environment offered numerous possibilities but I was drawn to the faces of people.

09
I was still just getting used to the camera in 2014 & only shooting jpg. On a trip outside of Sarajevo I saw a fog-bow, which is a less common cousin to a rainbow. The very subtle color gradations can be seen with close examination. Working with this image motivated me to further explore the digital capabilities of my camera & Photoshop.

11
I have indeed had moments when I wished I had equipment & experience with fill flash. I also have recognized missed opportunities because the tripod was in the trunk. However, I have learned that Natural Light is a challenging motivation in how I approach many of my subjects. Recognizing subjects & styles of photography I enjoy has been helpful to whatever improvement I’ve had in the past 8 years.