Inspired by Quality

01Each of us has unique skills, knowledge, interests & experiences that define what we like. For Dave Taylor, diverse & broad are two adjectives I would use to describe the artistic influences of his life & his home. We share an appreciation for Frank Lloyd Wright as well as interests in perspectives of mass communication. I am glad to call him a friend.

02I first met Dave working on HBO Boxing sometime in the mid 90’s. He was one of the first “next-gens” that understood the mechanics of Remote Live TV. He had recently graduated from the ASU/Walter Cronkite school. Years later I found out he indeed met “Uncle Wally” He also had the digital perspective to quickly utilize a new tool called EVS. This Hard Drive Replay device would rapidly change the formatting of Live TV Remotes. The device picked up the nickname of ELVIS. Dave could make it sing.

03Unlike many mid-life singles, he has a keen sense for integrating style with function in his home. By his own admission, he’s an UberGeek. He is designing & building a programmable home theater. As an example, ifyou want to watch Kubrick’s film 2001 Space Odyssey…he likes Stanley as I do…he has programed a 20-minute mix of music from that era.  Monitors, mounted vertically, show posters of other films from 1968.  All of this is to set the mood while enjoying a cocktail. The Prairie style columns with Frank Lloyd Wright inspired inserts are a design touch that can’t be ignored.

04 copyThe sound system is tuned for the back 2 seats & the distance from the 102-inch screen is set for immersive panoramic viewing. As music from the era fades the lighting dips & the movie begins. If you want he can also program previews from other films from that year. It is still a work in progress because he realizes it takes time to achieve quality. His vision blends technology & style creating a unique media experience.

05

His antique electronic toys are classic home Audio Video. The Philco Predicta Pedestal set is wired to show DVD’s so we watched an episode of the Twilight Zone. Since Dave is about a generation younger than me I asked him what influenced his style. He quickly replied that Mad Med influenced his appreciation for an old school perspective. He also appreciates any endeavor where people create quality.

06

With more forethought than many, he decided to set himself up to be energy independent. He did his research & installed a solar farm to meet his needs. The land between the house & the panels has recently been planted with fruit trees that will soon block the view of the panels. Fluent with technology, he likes his toys & he knows how to plan for his future with an overall style. It’s easy for me to respect a person like that.

07 copy

This is a look inside the type of office he works in. Dave doesn’t sit at the helm of the WWE Star-ship but he and the other EVS operators keep the wheels turning while keeping the engines from falling off. I have tremendous respect for ALL the WWE crew! They create one of the most sophisticated Live TV Remotes I’ve ever experienced! And they do it over 100 times a year. Dave easily fits into this very talented crew.

08In his spare time while traveling, he edited a 52 episode series of music Mash-Ups under the moniker of the Forensic Editor on YouTube. Our musical tastes differ but I can easily follow his storytelling approach to music, which on Jumping Jack Flash spans 45 years & 15 performances. These “for-fun” productions are video time capsules weaving music into a different dimension. If you enjoy music check out his work with this link.

09

I believe one of the roots of Dave’s many talents is music. He understands how all of the components come together in a way that tiny details become important to the story or the event. In my mind, he is a digital wizard with the understanding that every tale is analog with a beginning, a middle & an end. Oh yea…he has that left-handed creative thing happening. The places I visited on my road-trip were enjoyable. However, spending a day with a friend I don’t get to see often enough really added inspiration to my journey.

An Anniversary

 

I don’t associate April 15th as Tax Day. In 1979 it was my last day at WPGH TV & last “Full-Time” job. The date brings memories of my career as an Independent Freelancer.

01a04/15/79 marks the beginning of a journey I look back on with much gratitude. There are hundred’s of people that motivated, influenced & mentored me along the way. However, nobody had the longevity & impact as Jerry Hughes. Since the early 80’s his examples of professionalism taught me things that you can’t learn from a book or a training video. When I bought my 1st camera his example & advice about being an Owner/Operator lead me on a path I never dreamed possible living in Pittsburgh.

01b When I bought this Varicam in I remember a feeling of satisfaction knowing I was the 1st Independent HD Owner/Operator in Western PA. My career began when expansion of video production went beyond the programing for 4 networks & their local affiliates. 25 years later purchasing a camera that hurdled low resolution, & shallow contrast of the previous technology was a wonderful, but expensive, improvement. The end of poor quality video was going bye-bye & I was helping my clients escort it out the door.

02When the project had the proper planning, tools & people I was able to utilize what HD could do. On this documentary, I had explained to the lead horseman I needed his riding party to react in the pool of light. After about a 70-yard slow gallop downstream towards me they stopped on a dime & nailed it! That was a very good day at work. We made lots of nice pictures. Mark Bussler Producer/Director Horses of Gettysburg.

02aGetting the client what they wanted & needed was always my motivation. Sometimes that meant hauling a dolly to the top of a power plant facility. The backdrop was an excellent idea. However, we needed 3 more grips to haul the gear. Today small sliders/rails would give more movement to the shot & only weigh about 25% & cost much less. End Client IBEW International via a production company from Denver.

03In the early 80’s doing instant replay at local live sporting events was about 1/3 of my time. By the end of my career, it became about half. A fortunate connection with CBS Sports in 1986 opened a door that lead to live television opportunities I had dreamed about. Thinking back about doing 30 years of NFL & 13 Super Bowls I still need to pinch myself. Live TV is a unique process with fun tools & talented people. The reward of working with some of the best in the business is when it all comes together as “One Room”. I never knew being a slomologist was a career path. NEP SS CBS mobile unit.

98811_D1339BCrop.jpgI learned early on that all shows are big…some just have a whole lot more people. Crew shots from Super Bowls are like a Where’s Waldo puzzle. I will buy you lunch if you can ID me. While the people in the picture bring back memories, knowing that the photographer was John Filo adds another significant layer. Yea that kid from Western PA who is a fellow Kent State Alumni & won a Pulitzer. 2007 CBS Super Bowl

06 There is a correlation between the size of the show & the amount of cable. From my perspective, all shows are basically the same. Remote TV is a 3 part job. #1 Set it up. #2 Do the job. #3 Tear it down. Not unlike a circus, it’s a traveling roadshow. For big shows, the amount of equipment & wires increases for parts 1 & 2. Glamor & Show Business aren’t words I use together. 05The interconnectivity of multiple TV trucks creates technical opportunities & endless variables of data, audio, video, graphics, communication & monitoring.  Fortunately, connecting this was not my job. Some know the needs of their department. Only a very few know the entire workflow. I would disconnect only after double confirmation we were clear from NY.

07 copyAfter the show is when you find out who is really part of your crew. I believe early in my career I was given opportunities because I was good at wrapping cables. It is a sign of someone willing to do all 3 parts of the job. I had an advantage because at 14 I learned “over & under” when practicing ring buoy toss on my lifeguard test. It seemed like I had wrapped enough cable to make it to the moon. In reality, it is likely closer to the distance from Pittsburgh to Salt Lake City.

09I had a number of “close encounters” but usually wasn’t enticed to engage “talent”. When I heard Charles Kuralt was visiting our venue at the Lillehammer Olympics, I couldn’t resist asking him for a picture. When I told him I was humbled that our last names were together in the CBS phone book he gave a good laugh & remarked I had top billing over him. I am indeed biased but the 2 icons of telling stories on TV during my youth were Walter & Charles. Thanks for setting examples worth watching.

10I loved my work but…the packing, unpacking, set-up, tear-down & repeat of all of this gear took a toll I no longer felt like paying. This is a typical load of gear, minus the camera for an ENG job. Retirement is good. I’m beholding to many, I miss the people but I do not miss my old toys or the travel.

10a Albertville Meribel Olympic Flame 1992I really only have 1 nagging regret from my career. I never traveled with anything more than a mediocre still camera. I strived to be as light-weight as possible in packing & never wanted to carry a SLR. Oh well, I got a few so-so captures but I have amazing memories. Albertville 1992.