Understanding the roots of inspiration is as necessary as knowing how to use the tools in your toolbox. However, I can’t adequately explain why the work of Frank Lloyd Wright inspires me. What I do know is visiting his work is time well spent & worth attempting to sync my mind to my camera.
The discrepancies began on a Jr. High field trip to Falling Water, which is a signature work of his. Even then I had awe for the natural world & believed I had a responsibility to take care of it. Building a house over a waterfall just didn’t seem right. Yet, when I saw it, I was amazed at how naturally the style, materials & design of a man-made structure blended with nature. As I got older & my own sense of composition & balance developed FLW was there to offer more perplexing influence.
The Laurel Highlands & the Escarpment of the Colorado Plateau are vastly different. Here FLW uses juxtaposition of materials & design to the environment. Chapel of the Holy Cross in Sedona AZ is in contrast with the surroundings. But, to my minds eye it is powerful. The sharply angular gray building pulls strength from the random shapes & the hues of red stone mountains. The lines of the cross support the walls & go deep into the earth.
I must give credit for part of my inspiration of architecture to my roommate at Kent State Pete Locke. Thru osmosis & interesting conversations he showed me new ways to look at buildings. I find it satisfying to examine structures like home & buildings from different perspectives. I also find this type of photography extremely challenging.
I try to soften corners both in photography & landscaping. I also like working with stone. At Kentuck Knob, near Falling Water, is my favorite home design of FLW. Stone in the structure does not soften angles. It harshly defines separation. Seemingly random landscape stone somehow creates a balance to the walls. Even with conflict to my preferences I admire his work & those that preserve it. The term I use of “unbalanced symmetry”likely has its roots in FLW.
For photographers, the lines of his designs offer wonderful choices. At his homestead school in Taliesin WI, I was initially overwhelmed at how to best capture his work. I quickly realized that with clear skies & powerful Spring light I had to let the sun be the primary motivator.
The rounded fields at Taliesin gave me insight to the inspiration FLW may have had as a child. A special thanks to the officer that was understanding of the fact that I had left my drivers license in Pittsburgh!
One disappointing thing about FLW tours is that no photography is allowed inside. Seeing the ridiculous situations people taking selfies put themselves in I understand. Selfie photographers, before you pull out your phone ask yourself 1 question. What could go wrong?
For now I leave Frank with his design within design. Obtuse with Acute. The function of airflow incorporated into negative space accents. A small detail in a grand design. Next stop on the FLW journey TBD. As the last posting in the 1st year of retirement I will share my resolution…I want to be better in 2017. I wish the same for you! Merry Christmas.