1 Picture 1000 (or so) Words

Connecting across 6 decades.

An Individual’s history goes beyond the years they have lived. Connections before our birth are woven into the timeline of our lives. The crossroads of past generations intersecting our life providing interesting synapses connecting seemingly unrelated parts of our lives. 

I recently had one of those intersections.  This MGM camera crane connects my first job in TV to a project I’m working on in retirement. This is indeed a reach to make the connections. But stay with me.

This story begins with childhood inspiration of film making. Specifically dance scenes in West Side Story. Visual storytelling is something I latched onto as a goal. I got a degree in Visual Communications from KSU. During my Sr. year I got a job at Cathedral Teleproductions, in Cuyahoga Falls. The technical, studio and editing facilities were far superior than any TV station outside of a major market. I was “the new college kid” and the people were great. My job was the library/shipping/receiving of dubs of the Rex Humbard show.

Any down time, I was in the edit suite or the huge studio. 25’ ceilings, 60 X 90 floor space, Mole lights and more grip equipment than I had any idea how to use. This was the real deal. Big time sound-stage. Years before I got there, the facility did commercial production and was the biggest sound-stage between Chicago and NY. In the back of the studio was a big crane but was never used. Curious about big blue I was told after it was delivered a copy of the script from Gone With the Wind was found in one of the compartments. The cynic in me recognized I was the new kid to tell stories to and took it with a grain of salt. But there were markings on it tying it to MGM. Maybe?

If you know anything about production you know this crane is an unbelievable custom  piece of gear. Room on the tongue for 2. I balanced it and was amazed how smoothly I could make it move. The arm approached a ton but I moved it with 2 fingers. The electric motor was burned out and had to be moved by hand. This was my first “crush” on production equipment.

After about 6 months I became involved in studio and Sunday service productions. I had found my place and what became a career, on the production crew.

Shortly before I left that job, a new show open was scheduled to be shot in a park near the studios. The crane was pulled out of mothballs to be towed to the park. The two rear wheels were used to steer. Somebody had to ride in the driver’s seat and keep the wheels straight. The kid” got a chance to drive the crane. I knew this crane had done some big jobs. I was pretty pleased with myself. Not real resume material but a nice ego boost to begin a career. Being connected to the era of production I admired was an impetus to always look for connections you can reflect on.

Now a leap of decades. Before retirement I got back into still photography. A few components of this story are already connected but life goes on after retirement. Capturing moments and telling visual stories was the objective I wanted to pursue. The primary subjects I wanted to see in the viewfinder were sailboats & humans. Humans is subdivided into creative, artistic/athletic and just folks. Dance, both artistic and athletic, was in my mind’s eye for the challenge of capturing light, form and emotion. I looked for opportunities and found them.

A connection with Dancer/Choreographer Maria Caruso has provided wonderful opportunities. But our first meeting is the connection (unknown at that time) to the big blue crane. Ms Caruso told me her studio is the old studio of Gene Kelly…a kid from da ‘burgh. I always respecte the space of artists and her studio was no exception. I was in a space that was more than it seemed. I put that outta my mind, grabbed my 2 step ladder and started taking some pics during a rehearsal.

A recap. I was inspired by strong visuals including dance as a youngster. Wanted to work on production crews as a career. First job had big time gear including a big 40’ crane built for MGM. Had a career doing what I enjoyed, but no dance. Retired with a DSLR and found opportunities to capture some dance images. 

Ok. I now have a connection to Singing in the Rain which arguably is the best musical/dance production ever made. West Side Story grabbed me, but as my appreciation for the genre evolved Gene Kelly and company set a standard that should always be part of any critique.

And now the connection back to that very first job.

Facebook has a group called Eyes of a Generation I follow.  Many TV geeks are still telling stories and sharing pics of gear on this site. I posted the pic above. That connected me with a camera operator who had worked at Cathedral on commercial production in the early 70’s. He corrected the story I was told when I was “the new kid from college.” They didn’t find a script to Gone with the Wind. They found a work order in one of the tool storage compartments for Signing in the Rain.

Here’s the final weave of connections. I was inspired by dance scenes in West Side Story. MGM’s Singing in the Rain was a natural progression of appreciation of this genre. I drove this MGM crane on my first job. The pedigree of this classic camera crane is a work order for the film a kid from my hometown,who owned a studio in Pittsburgh, starred in and co-directed. I took pictures in Gene Kelly’s studio. It was the first time I ever took a 2 step ladder onto a shoot.

If you look, you can find connections in life that will give you a sense of place in history.

Motivated with new tools

A mantra I’ve often said is “I Love Digital I Hate Digital!” It’s as true today as when the phrase first entered my mind. (Click on any image to see full screen.)

One street lamp 40,000 ISO

If I capture something with my camera like my eyes saw I’m quite happy. Noise/grain that accompanies low light is a side effect of the digital settings necessary to capturing dark environments. Although I accept noise as part of the feel of that environment it’s a distraction I’d be glad to eliminate.  

Nicole Ivan REALLY?! Bodiography Contemporary Ballet Choreography Maria Caruso

Images from a production of the Bodiography Contemporary Ballet motivated me to do a test drive of noise reducing software. I was very happy with how the blacks surrounding Nicole’s form became transparent. The software did indeed reduce grain but added what I describe as a “painterly look.” I kinda liked it! Since I also like what 40,000 ISO can do, I recognized this software would allow me to experiment more in low light situations.

A preset “look” look dramatically improved the spectrum of blue.

After exploring the noise filter for a trial period. I added the entire Topaz collection to my editing toolbox to see what else I might use. As learning by trial & error will do, I found interesting tools.

A light touch softened the harsh elements that had overpowered the main subject.

Finding the images that benefit most from my new digital tools is a learning curve. I realized some filters have the ability to take “so-so” shots & improve the basics of form, light, color or texture. The right tool for the right job is where decision-making is important in achieving an image that correlates with my vision when I snapped the shutter. In doing this, I contemplate the Ansel Adams quote “You don’t take a photograph, you make it.” I often wonder how he would embrace digital tools.

The result of digital manipulation added to my appreciation of the strength of the form.

This result, in my mind’s eye, crossed over into a different dimension. Not a photograph but not a painting. In some respects filters made elements more natural while making others bizarre. It seems like I found some handles on mood & emotion. I soon saw a use for these tools with some specific images in my archive.

My 1st reaction was a feeling of summer. (The sails are masked from the effect.)

In previous attempts at chasing sailboats with my camera I was less than thrilled with the results. I had a few not-to-bad images but weather had an impact, as did my learning curve on my overall satisfaction. I liked the form within many of the images but they just didn’t “pop.” Using Photoshop I removed some elements I wasn’t happy with but nothing reached a level of  “Nailed It!” These images became my guinea pigs for venturing into artificial intelligence in photo software.

My next step may be trying to remove all the sponsor text on the hull & sail.

As is often the case “Less is More.” A slight use of a “designed look” diminished the visual strength of the bridge in the background while giving energy to the boat. That is more like what I envisioned.

My”old school” roots make it easy to reject this & other effects.

As with any effect, it’s easy to get ridiculous. But I did find “looks” I thought added a layer of enrichment not just change.

The elements in this image never did balance to my liking.

From what I know about AI using that term seems to be more hype/marketing than actual operation. The “looks” I felt had the most impact on improving the images fell into one category…dead painters with names like Degas, Van Gogh, Monet & Renoir.  However, with some images no amount of important artists do more than make a mediocre image more mediocre.

Over saturation is a common technique to grab eyes. I prefer a powerful subject.

Not surprisingly adding a filter does not rescue a shot that really doesn’t have much going for it. An effect just for the sake of an effect is only a crutch supporting a problem.

In the “before” image on the left, Empire Sandy lacked wind in her sails making her look flat & lifeless. Running the image on the right thru a few “looks” gave me something a bit more interesting. In this case the software added a classical feeling to a subject with historic roots. This effect works with this image.

Re-cropping to 30% of image gave better balance to elements that caught my eye.

I’ve overcome my “journalistic” concerns about altering an image. Now, reducing/removing visual distractions or enhancing details are things I routinely do in Photoshop. I especially enjoy how a simply re-crop gives a shot more emphasis.

From a sophisticated perspective I would critique this as just yukky!

I find myself in digital conflict again. Some of these clicks in Topaz software take an image into an entirely different cosmos. These images are far from a painting & my eyes don’t see a photograph. Frequently, like the image above, results scream NO! It feels disconnected from what inspired me. Occasionally, I discover a layer of emotion or mood that’s in sync with my original motivation.

LOST POND by J

My visual perception has yet to fully integrate how all the aspects of digital editing can assist with realizing that vision. I am continuing to learn the appropriate situation of what & when to dig into my digital toolbox. To ensure I don’t go to far I went back to some of my favorite shots. LOST POND is one of my few landscape captures I really like.  Could I make it better? The results…different yes better no!

I’m sure Monet himself could do better.

I love much of Monet’s work & I thought simulating his style might take the image to a higher level. Nope! The good photo, with some enhancement in Photoshop, is much better than the “Monet look”. Learning what I don’t like is valuable to me. It gives me incentive to pursue the vision of my mind’s eye with new tools, new perspectives & new failures, at my fingertips.

Athletic Artists

Integrating movement & emotion with music is how dancers turn their athleticism into art.

Bodiography Contemporary Ballet
Led by Light
Choreography & Costumes by Maria Caruso
Music by Zoe Keating
L to R – Principal Artists Kaylin Treese & Bethany Schimonsky

The foundation of my interest in dance goes back to the 1st time I saw West Side Story on TV circa 1966. Over the years my primary exposure to this art form was via cinema. Later, musical theater gave another venue to experience talented artists in live story telling. On stage or on camera, dance is a very powerful & memorable component of entertainment.

Bodiography Contemporary Ballet
Intimate Liaisons
Choreography & Costumes Maria Caruso
Music by Kronos Quartet
Top to Bottom Principal Artists Kaylin Treese & Nicole Ivan

In ‘02 I saw the Alvin Ailey Company perform their signature work Revelations. The overwhelming emotional power of that performance impacted me in a way no other production has ever done. It motivated me to explore the world of dance beyond the supporting role it had in film & musicals.

Christina Lindhout Verb Ballet Cleveland

Even though dance is best suited to the stage or the screen, as I got back into photography I realized that still images of dancers are dramatically powerful & beautiful.  I also recognized that capturing those decisive moments was extremely challenging.

Bodiography Contemporary Ballet
  Mother’s Prism
Choreography & Costumes by Maria Caruso
Music by Arnald Olafur & Dustin O’Halloran
Principal Ambassador Artist Amanda Fisher

To try to learn more about what I considered good dance photos I looked at thousands of images to establish ground rules for pictures I liked. Lighting, form within the frame, costume, environment, foreground, background, expressions & occasionally shadows were important. I also was determined to always be head to toe. Recent dance films or shows feel the need to cut away from the dancing. Show me see the dancers dancing!

Christina Lindhout Verb Ballet Cleveland

In reviewing so many images I soon discovered that not unlike accomplished sports figures, the dancers muscle tone/tension highlighted an athleticism that in my mind’s eye had been subtle. The lighting & costumes are the most critical factors in capturing this detail revealing the unseen elements of power & strength. The images I liked best made great use of theatrical, studio or natural light & fashion.

Bodiography Contemporary Ballet
Led by Light
Choreography & Costumes by Maria Caruso
Music by Zoe Keating
L to R – Principal Artists Bethany Schimonsky & Kaylin Treese

I recognized that unlike those that compete in sports, dancers are athletes that create art with their athleticism. For me, this was a new perspective of how their talents are perceived.  Blending this with the ability to layer emotions onto their movements elevates the viewer’s connection to the drama. Capturing that moment on a still camera is an ongoing challenge I find rewarding.

Bodiography Contemporary Ballet
Vespers
Choreography and Costumes by Maria Caruso
Music by Aix Em Klemm
From Left to Right – Company Artist Derrick Izumi and Founding Director Maria Caruso

Head to toe is usually the best way to see the complete visual story. The space around the dancers is critical to emphasizing the form. I also prefer an odd number of dancers providing asymmetrical balance. However, two dancers can provide a balance I like. Also, I can crop tighter than head to toe to create a better image. I made those rules so I can break them!

Christina Lindhout Verb Ballet Cleveland

With almost any image, red can be a dramatic addition if not overwhelming. Beyond that my “fashion” opinion is shallow. I quickly recognized that for me controlled lighting had the most impact on images that inspired me. Moving into a position for strong backlight helped to provide the silhouetted form of her legs.

Bodiography Contemporary Ballet
Life Force
Choreography and Costume by Maria Caruso
Music by Garth Stevenson
Founding Director Maria Caruso

One of my biggest peeves is the unavoidable horizons in photos of stage performances. While stage lighting is often less than perfect from a photography perspective I recognized that environment & look is part of the visual story. Also, don’t sweat things you can’t control. In my mind’s eye the black stripe across the lower third of this image adds strength to the base of the picture. The consistency of the lighting in this performance was a big plus.

Christina Lindhout Verb Ballet Cleveland

During my initial exploration of dance photography the leaps & jumps with the dancer suspended in midair caught my eyes. While this type of image is indeed sensational, I found that it could easily become unimaginative. I do like non-traditional locations of dancers. Photos showcasing the talent of these artists outside of the rehearsal studio & off the stage add drama.

Bodiography Contemporary Ballet
Really?!
Choreography and Costumes by Maria Caruso
Music by Quixotic
Principal Artist Nicole Ivan

As I am learning, it is crucial to the dancers that all of the details of their lines are precise. I am extremely grateful for the critique & education that Maria Caruso Founding Director of Bodigraphy has given me. I have photographer eyes & she is helping me understand dancer’s eyes. Having respect of the dancers perspective & approval of my images is critical. Details are extremely important!

Bodiography Contemporary Ballet
Rehearsal of Billboards
Choreography and Costume by Maria Caruso
Principal Artist Nicole Jamison

In addition to her personal review of my images Maria Caruso has allowed me to shoot a rehearsal at her studio & a live performance. Without getting to geeky…the low light sensitivity of the camera sensors along with a new software programs are wonderful tools.  Since I got camera geeky I will get history geeky. Bodiography’s studio is Gene Kelley’s old studio!

Christina Lindhout Verb Ballet Cleveland

In my quest for doing more/better dance photography I signed up for a workshop entitled Dancing in the Dark. I looked forward to an opportunity for some control of lighting & more direct input to the dancers posing & movement. Unfortunately I was disappointed with the way the lighting was handled & less than thrilled with the locations. On the positive side Christina Lindhout of Verb Ballet was a very easy model to work with. I appreciated the way she could very subtlety change her form while understanding what myself & others photogs were trying to capture.

Bodiography Contemporary Ballet
Rehearsal of Mother’s Prism
Choreography and Costumes by Maria Caruso
From Top to Bottom – Principal Artist Kaylin Treese and Principal Ambassador Artist Melissa Tyler

I’m extremely grateful for the support & opportunities Maria Caruso Founding Director of Bodiographics has provided. It is likely in the near future I will do a photography workshop with a recognized dance photographer. (Work I enjoy the most is predominately from Eastern Europe & naturally St. Petersburg Russia.)

My heartfelt thanks to Amanda, Bethany, Christina, Derrick, Kaylin, Maria, Melissa, Nicole & all the talented dancers at Bodiography Contemporary Ballet. I believe everyone dreams they could do what you do!

Laissez faire motivation

Follow where your eyes take you!

FYI click or tap an image to view it full screen. Prague was the enticing destination on my recent trip. But Portugal & Vienna were bookends of our travels. The coastal cities of Lisbon & Porto are where most of our time was spent with one-night in Sintra & a day trip to the Douro Valley.

I didn’t have specific destinations or expectations for this part of our trip so I just had a photographic laissez faire approach to where we went. I let my eyes wander & tried to capture interesting details, characteristics of the culture & people. The churches, palaces & monasteries in these old world Europe cities are spectacular but kind of blend together. Something that grabbed my eyes in Lisbon was the beautiful tile work almost everywhere you looked. I also saw lots of street art aka graffiti. As always shadows attract my interest.

The topography of these 2 port cities made many of the hills of Pittsburgh look like gentle slopes. Within the crowded streets of Lisbon are 3 funiculars/inclines, which gave welcome relief to my knees. In addition, many of the streets & sidewalks are made from tiles & stones. While they provided unique artistic character to the cities, (Yes! The sidewalks are stunning works of craftsmanship!) at the end of the day the unevenness took a toll on my feet.

I had hoped to do a sailing trip out of Porto for an afternoon, but it ended up that we just motored along the coast & up the Douro River. A nice afternoon on the water but very disappointed the sails never went up. That means look for other boats that do have sheets to the wind!

Sintra offered an opportunity to visit a variety of castles. These structures have always fascinated me. I was anxious to see them. The Palace of Pena was interesting but seemed like a set from Universal Studios. The Castle of the Moors, built over 1100 years ago, is in surprisingly good shape providing spectacular views from atop the hill. The newest of the castles, Quinta da Regaleira, built in the last days of the Portugal monarchy, is the one that got my mind’s eye really motivated. This was indeed my highlight of Portugal, a place I could spend an entire day with my camera.

Another memorable experience was a drive into the Douro valley, home of Port wine. Although I don’t drink wine, getting there was a good day trip. The drive was one of the most scenic routes I’ve taken in a while. Driving a stick shift on the back-country roads was much more fun than the anxiety of reintroducing myself to a clutch on city hills.

I had VERY briefly visited Vienna on a 12 hour layover a few years ago so I had a taste of what this old yet cosmopolitan city was like. On this trip we took the time to visit the summer palace of the Habsburg dynasty. We were told, after we bought tickets, that no photography was allowed on the tour. With a silent shutter & stealth aiming of the camera I didn’t let rules stop me. This is the room where after the Bay of Pigs & before the Cuban Missile Crisis President Kennedy met with Soviet Premier Khrushchev. That meeting didn’t go well for JFK.

 I understand & usually respect restriction on photography. Some people, many with with cell phone cameras, cause problems with the flow of tourist traffic. And don’t get me started about selfie sticks! However, if this restriction is part of the policies, let people know before purchasing tickets. I almost always check in advance if non-flash no tripod photography is allowed when I anticipate taking pictures.

Enough of that rant, the gardens outside the palace have wonderful opportunities to take pictures, fewer crowds & was a more picturesque environment. Central Vienna was indeed worth exploring but the gardens of the palace & the district of Hietzing, where the palace is located, offered a  slower simpler taste of Austria. This was a welcome change of pace. Naturally they had the prerequisite historic churches.

In life I try to experience new things. However, I also understand what I like & what I don’t like. I enjoyed seeing the wonderful lobby/entrance to the Vienna Opera House. The only way to see it was waiting in line to buy SRO tickets for Madam Butterfly. Even though I love the symphony, theater, dance & especially musical theater I had never experienced opera. My instincts for avoiding it were correct. With no offense to talented performers, crew & fans of this historic art form, I doubt I will ever go to another opera. We respectfully left after the 1st act. OBTW the interior hall of both Heinz Hall & The Benedum are more impressive.

Finally PRAGUE

St Vitus on the hill in New Town

A destination dream was a worthwhile experience with a few blemishes. Prague has been an Eastern European city I have wanted to visit for a while. It has history, architecture, culture & is almost as pristine as before WWII. I had a few preconceived ideas in my head of what I hoped to photograph & looked forward to walking in the path of historic times.

Metamorphosis

I had read about the Statue of Kafka with rotating layers. The concept created by David Cereny fascinated me in that it reflected one of his best know books, Metamorphosis, in a unique way. Once I got to the small square I realized all 360 degrees of background were distracting. So I did tight shots of the 42 ton statue making it more abstract. I’d like to try my eye at capturing some images at night when neighboring buildings might not visually interfere as much. If I still did video, I’d want to do drone work around this kinetic sculpture.

Time passing the tourists

The biggest disappointment was the size of the crowds. I didn’t anticipate the number of visitors we would need to navigate thru. It was a weekend with wonderful weather that drew throngs of visitors in Disney World proportions. This “small” crowd was staring at the Astronomical Clock originally built in 1410 with many repairs & updates over its 600 year history. I wonder if any anything built today could last even 300 years.

Strahovsky Library

We hired a personal guide who enriched walking thru historic Wenceslas Square & many other parts of the city. However her best suggestion was a private tour of the Strahovsky Library. The frescoes, the baroque, the books, the paintings on the ceilings & the globes made me feel very small. The accumulated knowledge, creativity & effort it took to create all of this cannot help but make one humble.

Some associate Prague with the flavor of unconventional bohemians. This is reflected it the literature, art & spiritual roots of this city. When a friend recommended going to a gallery to see exhibits by Dali, Warhol & Mucha I knew it would be memorable. Immersed in the work of Dali I remembered how I felt as a teenager when I discovered his surreal work. The exhibit on Warhol also was enlightening. It didn’t just repeat what I’ve seen & learned of Pittsburgh’s native art icon. The contrast of modern cast sculpture vs classic carved stone statues provide diversity that keeps your eyes & mind alert.

One of the things that enticed me to visit Prague was the Old Europe architecture. It can be an aesthetic overload. Thankful the destruction many cities experienced during WWII escaped this town on the Vltava river. Somehow the diverse styles of Baroque, Gothic & Roman including a few Moorish & Art Nouvea buildings do not conflict with each other. Sprinkled throughout are ornate details almost all modern buildings are void of. I did not see it all the city had to offer, which is a good reason to return. My ability to capture good architectural images is poor at best. However, experiencing these classic structures with my eyes was rewarding enough.

A common element in almost all tourist destinations is the sound of street musicians. On the streets & bridges of Prague they added a layer of atmosphere to the background defining a sense of place. Slowing down to listen to the soundtrack accompanying the sights was a true joy. As with much of the culture of Prague, the medley of styles was a pleasant encounter.

Never pass up the opportunity to put red in the frame,

The sense of history in Wenceslas Square was transformative. In my lifetime it has witnessed Soviet tanks & demonstrations leading to the Velvet Revolution. While I was there a gathering of activists were educating people about climate change. I’m not sure if this woman was associated with that message or not. But the saying of “never pass up an opportunity to capture red in the frame” compelled me to snap this image.

In St Giles church listening to an ensemble play Vivaldi, Mozart & Ravel I closed my eyes & drifted back in time. For me music can do that.  After a day wandering around this historic city it was one of the most memorable experiences of my time in Prague.

The one image I’m most thrilled about I was able to capture then manipulate in PS to what I had seen in my mind’s eye. As a photographer that is a very rewarding experience. I love the low light capabilities of my camera & continue to discover more techniques in PS that allow me to create the images I want. Overall Prague didn’t give me the photo opportunities I had hoped for. However, it stimulated my senses in a way that few other places have ever done.

Challenges and Rewards

Empire Sandy

Capturing images of sailboats has many frustrations but also provides a level of enjoyment I find worthy of pursing. Geography in relationship to the ocean does limit my opportunities for capturing these classic boats. However, Tall Ships Challenge on the Great Lakes was not going to be a missed opportunity.  A stop of the tour in Erie PA in August was on my calendar for over 6 months.

Prior to the Parade of Sail at Presque Isle, I got a chance for one of my “Mind’s Eye” images. With nothing but sky, clouds & water, Empire Sandy is alone with her elements. The red Canadian Flag is an added bonus with the horizon line being about as unobtrusive as possible.  The one element lacking is sails full of wind. I’d like to duplicate this framing with a boat this size in 15-20 knot winds. The challenge continues with the reward of planning another day on the water!

Floating Photogs

I’m not usually the type of photog that participates in group shoots. However, to dilute the cost I reached out & found others that shared my exuberance for sailboat photography & chartered a fishing boat. This allowed us to get into a position with some control over background & lighting. It was an added bonus to be able to talk photography with a crew of wonderful enthusiasts. Of the 4 that reported, we shot a total of 1815 shots. I was the most conservative with only 281 snaps.

Flagship Niagara led the parade into her home-port. She served during the war of 1812 & is a wonderful example of the dedication to preserving a working example of history. Like many her age she had some nautical facelifts & now is a centerpiece of the Port of Erie.

For those who appreciate flag protocol, the flag on her stern is the only US Flag with 15 stripes & 15 stars. This version of old glory inspired Francis Scott Key. It replaced the 13 stars/stripes version in 1794 & was replaced in 1818 with 13 stripes & 1 star for every state format.

Appledore V

Appledore V is a sailing classroom with a homeport of Bay City, MI. As one of the smaller boats the light winds had more influence on her cutting thru the water. The wind shaping the jib with the shadows along the pleats of the sail is one of the many details of sailboat photography I love. My limited knowledge of the rigging on schooners makes me wonder if the name flag is on an extension of the main mast. I like the flag but question why it is so far above the top of the main.

Physics & Geometry

Far from pristine, this CU of the 2 jibs, the staysail & the foresail in the background highlight the complex fractal forms involved in capturing the wind. No mater the size of the sailboat the forces of physics on the geometric design can be seen in the fluid tension of the sails.

Picton Castle

The Picton Castle is not just a showpiece. Prior to the Great Lakes Challenge she was in the south Pacific. This 3 masted barque sails the oceans for training & educational voyages.

Look behind you!

As our boat was entering the harbor to find a good position to capture boats entering the bay I noticed 3 of the photogs on the boat with cameras pointing towards the shore. Keeping your head on a swivel can result in unexpected surprises.

Bluenose II

One of the aspects of sailboat photography I find compelling is that no matter the position of the subject or the sun you can find an interesting shot. As Bluenose II is headed to her berth, the view of her stern with the sun on her starboard bow creates a silhouette.

Lettie G Howard

Like many classic yachts the Lettie G Howard has been around. Built in 1893 as a fishing schooner in Essex, MA her home is now at the docks at the South Street Seaport In NYC. Believed to be the last remain ship of her type she is now a floating museum & a National Historic Landmark.

St. Lawrence II

One of the youngsters in the parade, St. Lawrence II built in 1953 primarily as a training vessel for those under 18. As one of 35 registered Tall Ships in Canada she spends most of her time in the fresh water of the great lakes. 

Dreamer

After a Coast Guard boat confirmed all of the parade had passed I saw another beauty following behind. Dreamer, from the Erie Yacht Club, decided to crash the party! The independent streak in me loves the fact that uninvited she joined the festivities. Maybe it was my mind’s eye reacting to the different rigging or the name but this boat may indeed be my the reward the day. She also inspires me to continue the quest for capturing these boats under full sail!