After photographing dance in Cuba & then at Chautauqua Institute in 2017 I was hooked on this subject. Earlier this year I sent out emails to potential resources seeking to collaborate. This gave me the opportunity to explore other genres & environments of dance. The basic challenges of capturing dynamic images during rehearsals or stage performances were the same as the limited ballet photography I had done. That experience proved to be of value.
Attack Theater performances are of the modern/contemporary genre. Although the dancers choreography is significantly different than classical ballet, the movement, athleticism & the forms are entertaining & inspiring. I did notice that more often than not, the number of dancers on the stage was an even number. I prefer odd numbers of primary subjects but I was able to adapt.
During a tech rehearsal I was able to be very close with my 40mm lens allowing me to capture some of the facial emotions, which are an important aspect of this performance. The side lighting was typical for a stage performance but the production also included projected images on the background screen. The imagery of the projections added to the impact of the performance. However, for still images it was distracting when on the dancers body. This image is a good example of why I like odd numbers of subjects.
“Game Night” was a chance for Attack Theater to engage with the audience in a relaxed atmosphere while developing an upcoming performance. The space is a rehearsal hall with no defined seating for the audience. This was a good opportunity for me to be close enough to use my 28mm. I targeted to pools of light waiting for the dancers to move into them. The background worked surprisingly well. Stage lighting, while not always good for photography, can create strong shadows.
Using the shadow to make this a 3 shot works for me. The ISO is high making it grainy but that’s OK. At first the wooden apple box bothered me but the strong low/side lighting on it adds to the geometry in the frame. This is an image I would like to choreograph for photography. I also like the re-crop to a 2 X 1 format.
Wide shots with empty space can be as dramatic as a close-up & can be an important part of the story. Each of the dancers hit the perfect mark for the lighting. Positioned near stage left & slightly elevated I was able to add some dimension while including well-lit props. Even when the dancers are not moving, I believe including the space they are in reinforces their form. Using the 2 X 1 crop again, I emphasized the weight of the lower 1/3 pulling your attention down to the floor.
Call it modern or contemporary, the movements & choreography on stage are entertaining. Attack Theater incorporates music & theater into a dance performance I found as powerful as my limited exposure to more classic ballet. The human form is a wonderful brush to paint with. Including emotion with character while doing this provides an inspiring performance that sticks in your mind.
In a post from 6/15/18 I explored the creative process of Mary Miller & Charles Hall as they developed a dance piece with a story-line about friendship. My early involvement with their work allowed me to know when & where to be to get that moment while providing a better understanding of creative development. Initially I was disappointed at the vertical split of the background in this shot but I got over it. The strong lighting & the facial expressions dominated my eye. The motion blur of his right hand is a nice reinforcement to the message on his face.
At the performance of the Nandanic Dance Festival I had the chance to see different styles of Indian dance. It is not Ballet or Modern. These performers have exclusive genres of movement with elaborate costumes & make-up. In this medium close-up shot it is easy to see the importance of the eyes & facial expression in the character of the dancer.
Another dancer in the Nandanic performance provided his own soundtrack as he choreographed his drum playing with impressive dancing. The combination of coordination, musical talent & expression made this piece exciting.
While I thoroughly enjoyed the performance on the stage, as a photographer, I would like to have controlled lighting in a studio with this genre of dancers. The costume, the jewelry, the make-up when used on these performers deserves special attention separate from a live performance.
My initial attraction to this image came after I cropped it square. The depth & the balance worked well. However the lighting, the background and the color were distracting. With no offense to photogs that do good B/W, sometime just removing the Chroma can make an OK image much better. I am fortunate that I was able to explore more dance photography. Come 2019 I will try to coordinate more opportunities or even enroll in a workshop.