I can remember specifically the image I saw in 1977 that made me look at sailboats in a completely different perspective. It was a crossing of two 12 meter sailboats during the Americas Cup. The shot captured the perfection of the wind pushing the most elegant design of sails & boat I had ever seen. I have looked at a lot of sailboats since then. I’ve see many I like. For racing, catamarans are faster & foils make them look slow. However, 12 meter sailboats dance with the water & wind with a harmony not seen in other class of boats.
With a camera in my hand, the element of water adds a tremendous amount of opportunity for an image. The texture and the color have many variables to work with. When a sailboat is put on water I look for that elusive background with nothing but water and sky.
The primary draw of my eye is to the form of this subject. The wide shot with multiple boats shows both symmetry & distinction. I like the idea of no logos on the sails but black isn’t my favorite hue. I learned the reason is the material…carbon fiber. Old school sails are better for the eye. Speed isn’t everything.
The hard diagonal of the mast is relative to the soft curves of the sails. To my eye this juxtaposition of forms indicates power. The power is reinforced as the bow slices the waves.
Having spent brief moments on a sailboat provides a respect for the crews of these boats. The grinders to the navigator the bowman to the tailers the skipper to the pitman must work with harmony in moments of near chaos all while bouncing along the ocean. I love the no-slip material sewn onto the butt of the pants. Function not fashion!
I met the uncle of the Captain of Onawa who asked me to try and get some pics of his niece Barbara Krasinski at the helm of the oldest 12 meter in the fleet. What an honor. Built in 1928 and still competing in the Vintage Division. By sheer luck it is one of my select images was of Onawa. I did get a better image of her at the helm leaving the dock, which her uncle loved.
Although the weather was much much better than last years trip to Newport, The haze was a disappointment. However, I found that exploring more with my B/W knowledge I found some solutions to the haze with results I’m getting more content with. Tell me if you like the image in BW above or in color below.
From the bow to the stern interesting angles can be found. It truly is a 360 degree subject with many opportunities. Relative to the sun, when you are in a powerboat positions go from heavy back light to flat and everything in between. A shot that was just OK 15 seconds ago is now spectacular with the shadows of the sails and clouds. For someone like me that loves being around boats chasing these opportunities is indeed a challenge I have always wanted to do with my camera. The workshop by Onne Van Der Wal was indeed one of the most worthwhile opportunities I experienced.
One of those boats in the picture that inspired me in 1977 was Courageous. Seeing her on the water gave me pause to reflect on the influence one particular image had on me. My tastes and interests are still evolving but the long ago seed planted by this elegant floating sculpture has grown to fruition. This year Courageous took 3rd of 8 boats in the modern division. In 1977 Ted Turner skippered her to win the America’s Cup. Each of us has gotten a bit slower in the 40 plus years.