The variety of natural/available light motivates me to look at a scene in different ways. The diversity of lighting characteristics provides interesting perspectives on subjects I may otherwise not have noticed. Technically I have no problem with high ISO further expanding scenes I see & try to capture.
Shadows have an important role across all genres. This window accent in late afternoon light provided a wonderful display of contoured shadows. I have worked with this as a B/W image but I prefer the subtle hues in the original.
The back-light was coming in from the barn door & with assistance from the drops of moisture it provided another layer of texture to a simple subject. When I first walked into the space the light is what got my attention. I then searched for a subject. There are many ways back-light can impact an image. With the proper position it can separate, add strength, create a mood or accent the subject.
A personal preference for floral images is a background that supports the primary composition without conflict. This can be frustratingly hard when I am trying to isolate the beauty of a single flower. In a situation where back-light is the dominant source, backgrounds usually have less light & I can easily reduce the depth of field letting the background become soft forms, diffused shadows & muted colors.
Overcast & rainy can be a good time to get waterfalls if you crank up the ISO. This is 5K f29 at 1/60. The reflective falling water is the natural bright component but much of the atmosphere is in the shadows. This hike was one of the few times I regretted not having my tripod to use for a long exposure. Fortunately I had good foul weather gear.
When doing street photography I listen for street musicians because they add layers to the scene. A septet of musicians on a corner is hard to miss. I think the trombone player recognized the need to lower himself for me to see the entire band. For just a moment I was in sync with their tune. The strong available light on the BG wall was over-blow but Photoshop, even with a jpg original, was helpful. The noise/grain isn’t a distraction in my eyes. ISO12800 may seem ridiculous but it was the setting I needed to capture this NOLA moment. In my mind, if I had had to set up fill flash the intimacy would have been gone.
Landscape photography requires a commitment of getting on location for early am light that I don’t have. However flat light of mid-day, clouds & reflections can result in some nice captures. To integrate reflections in the frame I explore different perspectives & angles. At times examining the direction of light & reflections is a lot like walking around a pool table to find the best shot. This shot is just off of Rt 120 North Meadow of Yosemite.
Sunset fits my lifestyle more than sunrise. Give me a Ferris wheel, a sunset, an American Flag & water to work with & I will find an image. If only their had been a gull in the upper right. The Puget Sound/Seattle area is a place I would enjoy exploring more.
The soft diffused light on the only bright part of the frame pulls your attention to her somber face. While the color of her coat, her posture & the background hint of melancholy, the umbrella helps frame her face & also adds an element of structure into the scene. The unseen factor is that it was taken in Liverpool England, which has a reputation for dreary weather.
This is where I say I Love Digital. When I walked into this tobacco-drying shed in Vinales Cuba I immediately was captivated by the harsh tropical sunlight reflecting off of the deep brown dirt floor. After 1 year of experimentation I understood the advantages of RAW & was comfortable with the low light capabilities of my camera. This is exactly what my eyes saw. Being able to almost immediately capture it was very rewarding. The entire environment offered numerous possibilities but I was drawn to the faces of people.
I was still just getting used to the camera in 2014 & only shooting jpg. On a trip outside of Sarajevo I saw a fog-bow, which is a less common cousin to a rainbow. The very subtle color gradations can be seen with close examination. Working with this image motivated me to further explore the digital capabilities of my camera & Photoshop.
I have indeed had moments when I wished I had equipment & experience with fill flash. I also have recognized missed opportunities because the tripod was in the trunk. However, I have learned that Natural Light is a challenging motivation in how I approach many of my subjects. Recognizing subjects & styles of photography I enjoy has been helpful to whatever improvement I’ve had in the past 8 years.