Camaguey Cuba Ballet

01

The most exciting photographic opportunity I had in Cuba was at a rehearsal for the Camagüey Ballet. I’ve always wanted the opportunity to capture dance, which like music, is a linear art form. Unlike musical performances, dancers provide numerous moments for powerful still images. Considering it was my first attempt I did OK. My instincts of where to be & when to snap were solid. The challenges of background & lighting were a distraction. A photo my daughter took inspired this shot.
02
As I have mentioned before, odd numbers for me are more visually interesting. I find that 3 or 5 primary subjects can create unbalanced symmetry I find intriguing. Maybe it has something to do with the rules of thirds. I found this tighter shot, which cropped the full form of the dancers, engaged my eye more with the individuals. I enjoy the personal outfits of rehearsal instead of more formal costumes during performance.
03b
As I was transitioning from the horizontal of video into stills I discussed the challenges I had with vertical framing. A single ballerina in a spinning pointe erased whatever traces I  have of reluctance to turn the camera 90 degrees. I also explored personal post-production boundaries on this image. I justify the enhancement with the fact that the subject is “art”.
04
A square cropping also pushes my comfort zone. Shortly after I started working on this image in PS I was drawn to this perspective. In some respects, because it lacks the entire pose of the dancer, this shot is a failure. However the expression on her face justifies to me showing only 3 of her 4 appendages. This led me to explore square cropping with other images.
05
When photographing in a room with mirrors it can be either a nightmare or an entry to another dimension. Fortunately the mirror was on the south side of the room where I kept my back most of the time. I would however like to explore coordinating the perspective of this shot. Standing there trying to make something out of this angle I remembered a workshop where I learned where you stand with a camera is a lot like shooting pool. A few degrees difference can make a big change.

06
Although shot has an even number of subjects I like this image a lot. The missing form of the ballerina in the foreground is partially revealed in the background dancer. This combines the power of a close-up with a hint of the pose. I also like the green leaf earrings, which are a personal touch you could easily miss in a wider shot. along with the informal wisp of her hair. If only the bar in the background had not been there. I was thrilled & thankful to be a guest at this rehearsal. However, the photographer in me wanted control.

07
OK, I’m back to odd numbers. In an effort to eliminate the bar that encircled the room I tried getting a lower angle. However my old knees had an opinion as to how much I should do this. Again, I justify the failure of not having the complete form with the more dramatic facial features. The receding focus & the position of the dancers arms in conjunction with the direction of the their gaze create both tension & harmony.

08 copy
This shot demonstrates all of the visual distractions I was trying to overcome. If I had to choose only one distraction I could eliminate I would have the bar removed. In my minds eye the strong horizontal lines is a visual speed bump. Ignoring the distractions and the noise from a high ISO I love the form captured in this moment as well as the dancers concentration. In hindsight, I could have lowered the shutter to 350 speed & reduced the ISO.

09
As somewhat of a bookend to the beginning image of feet in the 3rd position I choose this CU of pointe to end my images from the rehearsal studio. A ballerina in pointe is an iconic image of the art. In my minds eye the subtle strength & precise form of the dancer are captured in this detail.

10
I must thank Esmeralda Pimental Rodriguez a representative for Paridiso Tourismo Cultural for the connection and insight into Cuban Art. She helped coordinate my trip to the ballet rehearsal at Casa Quinta. If I ever return to Cuba I will look for her assistance in coordinating  my visit around a performance of the Camaguey Ballet.

The content of these postings are based upon my observations, conversations with my guide, interviews with people interpreted by my guide & interactions I had with people I met. Any mistakes are entirely mine with no intention to mislead.

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One thought on “Camaguey Cuba Ballet

  1. Jay, This was wonderful, and I particularly liked the faces of the dancers, you seem to have a flair for portraiture which captures something of the personality and character of the individual,not just the appearance. How does this fit with your Chautauqua project. I remember years ago and the Pittsburgh Ballet was just beginning. They performed at the Pittsburgh Playhouse which was in Oakland near Magee Hospital. Their first performance was Swan Lake, and the lovers dance to a violin solo. It was one of the most beautiful moments in Ballet for me ever.. The ballerina was crying at the end. I have never seen such emotion captured in classical ballet since. It seems very quiet here now that our neighbors on both sides have retreated. See you Tuesday! Best regards, Lori

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