The most exciting photographic opportunity I had in Cuba was at a rehearsal for the Camagüey Ballet. I’ve always wanted the opportunity to capture dance, which like music, is a linear art form. Unlike musical performances, dancers provide numerous moments for powerful still images. Considering it was my first attempt I did OK. My instincts of where to be & when to snap were solid. The challenges of background & lighting were a distraction. A photo my daughter took inspired this shot.
As I have mentioned before, odd numbers for me are more visually interesting. I find that 3 or 5 primary subjects can create unbalanced symmetry I find intriguing. Maybe it has something to do with the rules of thirds. I found this tighter shot, which cropped the full form of the dancers, engaged my eye more with the individuals. I enjoy the personal outfits of rehearsal instead of more formal costumes during performance.
As I was transitioning from the horizontal of video into stills I discussed the challenges I had with vertical framing. A single ballerina in a spinning pointe erased whatever traces I have of reluctance to turn the camera 90 degrees. I also explored personal post-production boundaries on this image. I justify the enhancement with the fact that the subject is “art”.
A square cropping also pushes my comfort zone. Shortly after I started working on this image in PS I was drawn to this perspective. In some respects, because it lacks the entire pose of the dancer, this shot is a failure. However the expression on her face justifies to me showing only 3 of her 4 appendages. This led me to explore square cropping with other images.
When photographing in a room with mirrors it can be either a nightmare or an entry to another dimension. Fortunately the mirror was on the south side of the room where I kept my back most of the time. I would however like to explore coordinating the perspective of this shot. Standing there trying to make something out of this angle I remembered a workshop where I learned where you stand with a camera is a lot like shooting pool. A few degrees difference can make a big change.
Although shot has an even number of subjects I like this image a lot. The missing form of the ballerina in the foreground is partially revealed in the background dancer. This combines the power of a close-up with a hint of the pose. I also like the green leaf earrings, which are a personal touch you could easily miss in a wider shot. along with the informal wisp of her hair. If only the bar in the background had not been there. I was thrilled & thankful to be a guest at this rehearsal. However, the photographer in me wanted control.
OK, I’m back to odd numbers. In an effort to eliminate the bar that encircled the room I tried getting a lower angle. However my old knees had an opinion as to how much I should do this. Again, I justify the failure of not having the complete form with the more dramatic facial features. The receding focus & the position of the dancers arms in conjunction with the direction of the their gaze create both tension & harmony.
This shot demonstrates all of the visual distractions I was trying to overcome. If I had to choose only one distraction I could eliminate I would have the bar removed. In my minds eye the strong horizontal lines is a visual speed bump. Ignoring the distractions and the noise from a high ISO I love the form captured in this moment as well as the dancers concentration. In hindsight, I could have lowered the shutter to 350 speed & reduced the ISO.
As somewhat of a bookend to the beginning image of feet in the 3rd position I choose this CU of pointe to end my images from the rehearsal studio. A ballerina in pointe is an iconic image of the art. In my minds eye the subtle strength & precise form of the dancer are captured in this detail.
I must thank Esmeralda Pimental Rodriguez a representative for Paridiso Tourismo Cultural for the connection and insight into Cuban Art. She helped coordinate my trip to the ballet rehearsal at Casa Quinta. If I ever return to Cuba I will look for her assistance in coordinating my visit around a performance of the Camaguey Ballet.
The content of these postings are based upon my observations, conversations with my guide, interviews with people interpreted by my guide & interactions I had with people I met. Any mistakes are entirely mine with no intention to mislead.