Head in the clouds

During the last 10 years of my career the amount of air travel was a big motivator for retirement. In the past 2 years I’ve only made 2 trips by plane. However, I do miss the occasional inspiring view from above. I see a few photogs doing nice work with drones but I have zero motivation to buy one.

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Shadows are always a part of the story in a photograph. Sometimes the shade of the subject is all that is needed in the frame. I like the context this image can add to a story as either a beginning an end or even a transition.

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Moments of solace when looking out the window were one of the few benefits of becoming A Million Miler. Not only is this a nice moment in time it is a nice moment in space. The winglet silhouette & the edge light on the wing define the perspective. The position of the Cheshire moon in relationship to all of the other components especially the town below provides depth. The glow of the sunset on the horizon of the entire atmosphere is almost impossible to see from the ground.

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A perk of all the travel was upgrades. The title of this is Coming Home in 4F! My brothers & sisters flying every week will understand. Some travelers may prefer the more visually dramatic approach into PIT that brings them over downtown. I preferred coming in from the West where the view allowed you to see the more a more rural environment. Seeing the waning of winter as spring is on the cusp, is always a wonderful sight.

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I never had any desire to pilot a plane. However, I thought it would be neat to drive one around on the tarmac.

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On the 54th Floor in DTW the fireworks from a barge on the river below me provided a very unique vantage point. Sparkling explosions displayed almost at eye level was something I never expected to see. Being able to add foreground building on the side of the frame & having Windsor Canada, as background provided a wonderful balance.

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Being able to work with talented professionals was a big thrill of my career. Flying with Cherokee Helicopters for a Kenny Chesney Concert was fantastic!!! His craft was designed for stability & he had the eye of a photographer. The best shots were when I pointed the camera & he flew the helicopter. The client was happy with the shots we got.  However, the best shot didn’t fit the format of the show. On a test flight in the early afternoon Cherokee came down the Monongahela, over the Ft. Pitt Bridge & dropped down to approach Heinz field. The rivers around Point Park were filled with boats.

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Inspired by the work of David Burnett & Leni Riefenstahl I saw an opportunity at a track & field event to float a person in the air. It also happened to be a personal best pole vault for the athlete. I consider this an example of preparing to be lucky. OBTW I respect the art of her work but can’t condone her collaboration with The Third Reich. Your reputation is elevated or, in Leni’s case, destroyed by those you associate with.

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Miami sure has changed since I first saw it on the Jackie Gleason Show. Unfortunately this aerial image now creates a sense of significant concern when I look at it. With the seas rising & the potential of more powerful storms the risk & the downside to everything in this image is a nightmare. We must listen to the power of nature.09 copy
8 years after Katrina the Louisiana lowlands coast appears recovered from what the storm had done. On final to MSY from about 8K feet I couldn’t help but reflect on the big picture of how powerful nature can be. Seeing the world from the window of a silver tube provided me with a view that reinforced my perspective on the importance of doing my best to respect the environment. We have impacted the climate & we must take responsibility to do better. OBTW later on in that trip human error caused the lights to go out in the Super Bowl. We can’t control everything!

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This is one of my favorite pictures where the sky is a subject. The simplicity of a fragile bubble floating with the contrails of a plane miles above dissecting it is a perfect example of chance. The dual reflections are of the sun by the peak of the Washington Monument. Photo credit Jessica Kuntz. Her view of the world is one I respect.

A cure for cabin fever

Since I am not a fan of winter I have little motivation in outside activities when the weather is cold. However, my camera inspires me to get out of the house.

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Opportunities the weather provides inspired me to put on a few layers & head outside in an attempt to capture the environment. One thing about cold weather I do enjoy is it makes me feel alive. My senses are more attuned to the world around me because so many routine things are different. The iconic Bell Tower of Chautauqua Institution shrouded in winter fog is the result of a few degrees of temperature difference between the air & the frozen lake. The atmosphere muffled the voice of the clocks bells while the frozen lake reflected their chimes. The overcast sky reinforced a mood of solitude.

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A challenge of doing photography in the snow is choosing subjects where the weather is either a primary or supporting character in the frame. In some cases the overall lack of color enhances the scene. I have been envisioning options on how the Allegheny Observatory, with its unique shape, could be shot. Initially I thought the domed shape would be emphasized, as other subjects were almost monochrome. However the tree, still with some leaves on it, provided a complementary form & with hint of chroma.

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Living just North of the 40th meridian, snow is not uncommon but it isn’t a constant element of winter. In my minds eye this snow-covered house takes me to a place further north where snows of winter are constant till the spring thaw. It also conjures a place of warmth to escape the cold. When you can capture the environment you can influence the viewers mood.

04 I love Pittsburgh’s many quirks. This is s favorite. Having cleared the public street of snow, the effort of a persons labor is “claimed” as a parking place by simply putting a chair in the space. While some may see this as taking something that doesn’t belong to them, most respect the work of others & don’t park there. That is pure Pittsburgh.

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I gave up fishing almost 50 years ago & have never contemplated ice fishing. In search of some interesting shots & talking to the fishermen about their sport I took a stroll on a bay I normally enjoy from my boat. What struck me after I left the shore was the sense of community the huts created. I also noticed that just like the diversity of boats used for fishing in the summer their was a wide variety of tents or shelters. I really enjoyed walking around this neighborhood.

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Not surprising ice fishing is something for a father & son to enjoy together. This dad hadn’t been ice fishing since he was in Cub Scouts. With his sons in Cub Scouts he decided it would be a good way to spend time together. They were having a grand time.

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The reward of this fisherman is more than what is on the end of his line. He is with friends who have been close for much of their lives. The camaraderie is more important than the catch. The device in the lower right of the frame is a sonar device, showing the depth of the water & movement of the fish. Just like any hobby or sport, toys make the activity more engaging. When I asked why they choose this particular spot I was told they had studied contours of the lake bottom on the internet and got GPS coordinates before coming onto the ice.

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For some, the solitude of nature & escaping the routine of daily life is reason enough to drill a hole in the ice & drop a line in the cold water. On this day with bright sunshine I set my exposure at 1 stop brighter using a center weighted weighted zone. When I had first read about this technique it seemed counter-productive until I better understood the process of how the camera interprets the scene.

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About a mile away from the village of fishermen I saw a familiar yet out of place shape. With the same sail rigging as kite-boarding on water you can snow board on ice. I would love to have a young back & knees to try kite-boarding but I have no desire to try the winter version of this sport. Water is soft…ice is hard.

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My first impression when I saw this person on a bike was why? But after watching him for a while with fat boy tires on his bike I said why not? He was paired with the novice kite-snow-boarder providing support & advice. This enabled him to keep up with his friend as the wind blew him away.

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The beauty of Nature can mask the dangers. Over 1 dozen barges broke away from their moorings on the Ohio River & came to rest on the Emsworth Dam. The powerful flow of the water holds these 300 ton steel flatboats against the structure. This then provides a place for ice to build up creating problems to the locks, which are critical to the movement of river traffic. When I see things like this my mind immediately goes to the workers who are responsible for solving the problem. Largely taken for granted The Army Corps of Engineers provides an important service to all of us. BE SAFE!

Motivation from Unknown Photographers

Those with more than a casual interest in photography know about Adams, Bresson, Libeowitz & other widely recognized photographers. Their images & words have inspired me. However, these images, from unknown photographers, have also motivated me. Of the many old family photos I scanned, few had dates & fewer had names. They have prompted me to try to do a better job of documenting the images I take.

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This may be one of the oldest images of The Bemus Point Stow Ferry. I can say with a high degree of certainty this was taken between 1917, the year my grandparents honeymooned & ‘27. The current Ferry was christened in ‘28. An unknown photographer documented a piece of history.  It began operation in 1811 & has seen the evolution of our society. I’ve watched it all my life & now I volunteer as a pilot on summer weekends.

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The woman with the hat is my fathers mother Anna Schaefer Kuntz. The middle of the 3 younger women is Ethel Kuntz. I believe the other 2 are my aunts. I’m guessing one of dads other sisters took the pictures likely taken in the late 1940’s or early 50’s. I don’t think it was intended to document style but it does. The man on the other side of the fence is a compelling component. I have no idea why they are wearing tags.

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Whoever the photog was knew classic portraiture or just got lucky. The sloping lines of the children’s heights parallel the roof-line & the support column anchors the frame. I’m almost certain the tallest is my mom at about 9 making it 1931. I wish I knew who the other kids were to share this image with their families. I do know the front porch this photo was taken on.

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This is another example of the classic ascending heights. My mother-in-law, Jean Yoklic Benson, is the tallest one giving the camera her full attention. From head to toe all 5 brothers & sisters are unique. The subject is intended to be the group but the girl in the window steals my attention. I’m told the photog was a roaming man with a camera trying to make a living doing family photos. Circa 1930.

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This wedding portrait of Jean Yoklic Benson & her husband Don is typical of the 40’s.  The original was OK but lacked balance of tones & details. This image had a large learning curve of both B/W & HDR. As my mother-in-law made wedding dresses for others I had to find a way to blend the train of her gown with their wonderful smiles. I knew B/W was challenging, but the experimenting to get this result was tremendous.

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This is the oldest image from my family archive with a name. From late 1898 or early 1899 this is Anna B Parkhurst my mothers mother. I have debated about spending the time repairing the damage. The face is only slightly distorted & I see little added value to the image without the damage. As I worked on balancing the tones I realized I was working with light that was over 118 years old.

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This is me & my father Delton. In so many ways he was a great example of how to live your life. We are visiting his mom, dad & sister on Feronia St. It isn’t Christmas because that is the corner where the tree always was. However, from the way I’m dressed it’s easy to see its wintertime. I always loved that TV.

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Meet Philepina & Gotlieb Glausser my great-great grandparents. This is likely the oldest image I have but I have no clues as to the date or location. Their crossed arms tell me they were a strong pair. I have no documentation but this is the duo that came from Germany sometime around 1880. Does the mustache look familiar to anyone? I think I got my thick hair from my mom’s side of the family. I’m glad they chose to name me Jay instead of either of the elder males on my moms side.

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This image was taken between 1917 & ‘30 before the Bemus Casino was built. The boat is a rental from Norton’s Boat Livery. I am grateful I have photographs of family & friends at Chautauqua. However, it is disappointing nobody documented the identity of these people. Few of the 100’s of images I have indicate the date & only a few have any names. If you’ve read to this point please begin documenting your own personal photos of family & friend. You kids, grand kids & great-great grandchildren will thank you.

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Tomorrow, I could walk to the exact spot where this photo was taken. This is my mother Mellvinia Glausser at age 14. She is sitting in the front yard of the lakeside cottage her parents rented. As I begin my family’s 2nd century on the shores of Lake Chautauqua the photos instill a sense of gratitude, humility & connectivity to those that came before me.

Looking Back for Tomorrows Goals

 

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I begin 2018 looking back & evaluating how my perspective of photography has evolved. Any capture by a camera immediately becomes a document of history. This image of my grandfather relaxing on the porch in Stow connects me with a man I barley knew but am deeply indebted to. It reinforced the connections a photograph can create. Operating the Bemus Point Stow Ferry I ran into a son of one of my fathers fishing pals Dr. Robert Schmalz Jr. He shared this image which was taken before I was born.

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A highlights of ‘17 was this image taking 3rd place in The Eddie Adams Show. It’s an honor to have any connection with this influential photojournalist. From the moment I snapped the shutter in Sarajevo in 2014, I knew I captured the character of the subjects. To have it recognized in a juried competition was very satisfying. The endless diversity of people & the human condition on streets are subjects that still motivate me.

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I’ve got comfortable with the ethics of editing my images that don’t touch on journalism or documentary. I still have the goal of capturing what my eyes see. HDR, can assist in adding details our eyes see but camera sensors can’t. I still believe over-saturated HDR  lacks an “actuality aesthetic”. Other images I’ve edited made me realize there is a 2nd opportunity to tell a story. A wildly over-exposed shot became a B/W image I’m happy with. A slightly out of focus image was manipulated into a frame capturing the moment I was after. OBTW I realize it’s in focus or not but I also remember Bresson said… “Sharpness is a bourgeois concept.”

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Although I doubted I would take my enthusiasm for photography into the world of printing, I did. I learned printing, matting & framing require different perspectives. The image on the left was cropped for the web. To get a well-proportioned print & ensure a solid presentation hanging on a wall I went back & included more of the original shot on the right. Is it an improvement? It depends on if you are looking at the print hanging on the wall or the screen of your desktop. Obviously my PS work has improved.

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I enjoy spectacular landscape photography & I enjoy the opportunity to experience impressive vistas. However, I’ve discovered I don’t have the kind of dedication to this particular genre to take it to another level. I will still wander with my camera, however I will try to improve my photography skills with other subjects.

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Part of my family’s history,as well as my own, is connected to Chautauqua Lake. When I saw the Steamship Replica the Chautauqua Belle along the port side of The Bemus Point Stow Ferry I was transported to an earlier time when few other vessels on the water had mechanical power. In the months ahead I may try some Photoshop wizardry on this shot. Too bad I’m not really a wizard.

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It has been almost 1 year since my trip to Cuba. The process of sorting/editing my images was a terrific opportunity for reflection on my abilities. It encouraged me to look forward to what I will do with photography. I’m hoping to cultivate connections for a showing of 15 or so of my portraits of Cuban People. A recent review I got from Lens Culture said my work “had incredible humanism in the portraits of Cuban people.” I liked that. The reviewer also said that, after looking at my blog, a book is something I should start working on. I don’t think that is going to happen.

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My own opinion of my sailing images is they are just slightly better than mediocre. That however will not stop me from pursuing this challenging subject I really enjoy. I’m in the planning stages of a trip to Newport RI to catch the 65 foot Volvo Racing beasts in May. Anybody care to join me???

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I also would like to further develop a portfolio of dance photography. Dancers have balance, form, color, The Moment, texture & space. What better subject for a camera. They blend emotions & athleticism into statuesque animation for our eyes.  Any connections in this area would also be appreciated. Happy New Year.

 

 

Capturing the Moment in Sports

 

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The thrill of my career doing instant replay for live sporting telecasts was when I could take the footage of terrific camera operators & get it into the show.  Now with my still camera, sporting events are wonderful challenges to capture a story. Photojournalists are charged with getting the winning moment. I look for moments highlighting the sport, the athlete or capturing an interesting moment. It isn’t just winners who display emotions but many competitors have dramatic expressions. Panning the subjects adds the feeling of motion to this frame. I took the opportunity of the multiple laps in this race to find the best shutter speed to get the effect I was looking for.

02       Indeed racing sailboats is a competitive sport. However, my appreciation is the challenge the sailors have with harnessing the wind. Images that show the unseen force has on the sails highlights the beauty of the boat design. There are diverse styles of sailboats as well as “points of sail” which define how they move in relation to the wind. For sailors it is an ever-changing juggle of physics, geometry & nature. For photogs finding the balance of lighting & background with a subject with 360-degree options can be frustrating.

03Athletes talk about “space & time”. In this image of the Pittsburgh Rugby Club one opponent is flatfooted & one is changing direction as the ball carrier has full stride very much in control of space. Often in sports where numerous players are interacting, my favorite images involves multiple players. Close-ups have personal drama, but the nature of the sport can be best shown in shots where 2, 3 or more individuals are involved.

04 copyDuring my career I had the privilege of being places few individuals were allowed. I did my job in a professional manner & respected athletes & the fans. Working for NJ Devils, my responsibilities didn’t involve the game. I found hockey tremendously difficult with the speed, the obstacles & constant change of direction. I was always impressed with how Marty Brodeur acted in practice, in the locker room & after the game.  So I chose him to concentrate my on.  Also, he stayed basically in 1 position. I admire his concentration as Evgeni Malkin is ready to pounce on a chance to get the puck past him.

05One of the ancillary advantages of photography is you give your own images a title. I call this one is “Pass the Ketchup Please.” After the pros morning skate a group of hockey enthusiasts would frequently take the ice. I called them the AHL the Afternoon Hockey League. If the title makes you smile it is a good thing.

06 copyI just recently discovered this fascinating activity. A combination of surfing, sailing, wind surfing, wake-boarding, snowboarding & hang-gliding, I would describe it as dancing with the wind on water. Initially I was disappointed that my position on a cliff overlooking the water was so far away I couldn’t get tight shots of the athletes as they launched themselves into the air. I then realized that the wider shot, which included the sail, was the best way to illustrate this sport.

06aSometimes a moment catapults your mind back to an image without warning. As a pack approached an early turn during the 1500 I was looking at getting a group shot of the runners. Although I didn’t see, or capture, what caused the fall, I reacted to the mishap. Moments after snapping my shutter the iconic Sports Illustrated image of Mary Decker on the ground during the 1984 Olympics flooded my memory. I now follow David Burnett who took that shot. His legacy of work is very impressive and inspiring.

07I just bought a 28mm & was looking for a subject to tune my eyes to this prime lens. It was afternoon in late fall with the sun low in the sky. I drove by a skate park & saw young men on boards. I observed them doing tricks to determine a good position. Most positions had terrible backgrounds. In the bottom of the bowl there were no distractions. I also noticed the shadow of the lip on the curved bowl.  I waited until this skater, & his shadow, were in the right position. Gravity is a subtle subject in this picture.

08Crew in competition or practice displays power, grace & symmetry. In my mind, this image as the 8 “Boys in the Boat” still working together as they end their workout on the Charles River represents the teamwork necessary for this sport. The boat had carried them gliding across the water. Now, they carry their shell to the boathouse.

11I was watching these students with envy on a beautiful fall afternoon. The Tech Dinghies are not the most beautiful boats on the water but they have a charm all their own. When I realized newbies were getting experience on the water I saw the potential for this encounter. I think the lesson for both boats was “Be aware of all that is around you!” Also good advice for a photog!

12 FinalI’m not a photojournalist & many of my images aren’t intended to document life so I’ve become ethically comfortable with editing my images. I’ve also learned my comfort zone with PS tools. I especially like how I can manipulate a shot with shortcomings into an acceptable image. I was slow in recognizing the opportunity of this position on a balcony until the last heat. The focus is off but I did capture/freeze “The Moment” I was looking for and altered it enough to make it a respectable shot of what my minds eye envisioned.

Museums are good exercise for your eyes

 

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I know I can  find inspiration at museums & galleries. As a bonus, the environments are relaxing. I always ask, “Is non-flash photography permitted?”  Some on-loan exhibits don’t permit photos. A shortcoming with my minds eye is being attracted by form. Space in many museums offers opportunities for me to focus on a wider perspective. At the Carnegie Museum of Art in Pittsburgh I recognized the depth, verticals & lighting on the walls were inviting components. The panoramic cropping accents the artwork.

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At gallery exhibits of photographers I’m reminded of the responsibility of documenting history with my camera. This show at The Carnegie Museum of Pittsburgh legend Tennie Harris, who chronicled 5 decades of life in the city starting in the mid 30’s, was fantastic. Visitors could watch a projected slide show or scroll thru his work on a desktop computer screen. I choose to examine the matted prints, which allowed you to observe in a single glance the diversity of his subjects. There are many things about his career that are inspiring but his nickname of “One Shot” is especially humbling.

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Not technical a museum or gallery the Mirogoj Cemetery In Zagreb Croatia has interesting similarities. It was overcast, cold & damp on the December day I visited which added to the sensual experience. The lighting in hallway of family mausoleums gave interesting depth while the arched columns balanced & framed the various lines. The grouping & number of exact tombstones in the section of those killed in the Croatian-Bosnian War in the mid 90’s hit a deep level of emotion.

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All serious photographers understand lighting. Some that have studied illumination will recognize Renaissance Masters using chiaroscuro style to give 3D modeling to subjects. Joos van Cleve’s 1528 work of “Saint Jerome In His Study” is worth examining closely. Since I’m attracted to the light from windows, this single source natural light is especially appealing. I chuckle at the unlit candle since some art of the Renaissance used oil lamps, candles & fire as key light in the painting. Fogg Museum Harvard.

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The walking tour of “The Road to Berlin” was a well though out multi-media exhibit at the WWII Museum in New Orleans. The diversity of relics, uniquely projected film, photographs, audio and personal memoirs was well worth the time. I was especially impressed with “camouflage” shadows on the floor.

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This graffiti of 1 or more US solders during the war is a very basic. It became synonymous with the American GI in Europe. Then, to use today’s description, the image went viral after the war ended. Sometime little details catch my eye.

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The use of interactive displays for visitors to read & experience is common in more modern facilities. Usually these exhibits are not conducive to getting people shots. Here, at the National Museum of African American History, I found a good perspective to get this portrait. Occasionally, primary illumination from below can make for a nice portrait.

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As you walk thru the exhibit, the paths areas are dark. Some exhibits are back-lit turning the visitors into a parade of silhouettes. The newest Smithsonian Museum has done some very good photo restoration as part of their tour.

09Often you find surprises at a museum. Made for the International Correspondents School in Scranton PA this Edison recorder is in better condition than any of the other 5 or 6 I’ve seen. Finding it at Museo Provincial in Camguey made me scratch my head. It would be interesting to find out the legacy of how this remarkable invention to record/playback sound ended up in a Cuban museum. Decades after this technology was invented I made a good part of my career recording & playing back audio WITH pictures.  Sometimes I slowed it down!

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Some places with historical significance are still used for what they were built for & are active tributes. The Ebenezer Baptist Church in Atlanta is one of those places. I could imagine Dr. Martin Luther King Jr. at the pulpit. Unfortunately the camera can’t capture inspiration to the soul. However, sitting in those pews I had a powerful sense of purpose.

12I have admiration for capturing “The Moment” in dance. This exhibit at the August Wilson Center drew me in on many levels. The story behind the showing was inspirational. Mother & daughter Jill & Joy-Marie Thompson choreographed a tribute to historic images of influential dancers. They worked with the highly respected photographer specializing in dance Rachel Neville. The space, lighting & images with white backgrounds on walls of white are an amazing display of art, collaboration & talent. Of course…never avoid the opportunity to put red in the frame.

Mature Motivation aka Life Lessons

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To paraphrase Janis Joplin…Failure is just another word for nothing left to learn. My primary project in my seasonal wood shop was to use the remaining 100-year-old beams removed from the original cottage & make an outdoor bench showcasing the beauty of  recycled lumber. Making rustic furniture with recycled wood is much better than just adding to the landfills. It’s a small step but rewarding. I also like the idea of extending the history of what a tree created. The imperfections in the wood also provide a balance to my limited woodworking experience & skills.

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My motivational inspiration came from a graphical representation of the mathematical symbol of Pi. The basic symbol is from the Greek alphabet but many artistic licenses have been taken to this form. In addition, the purity of it’s never ending sequence without a pattern is fascinating. When I fist saw this particular form my minds eye envisioned a comfortable bench to set beside the Mini-Meadow I’ve been cultivating.

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I visualized the bench with 4 primary pieces on each end. Using enlargements of the symbol as templates I adjusted the patterns to fit the limitations of a 7-inch wide beam. By my calculations I had about 20% more board feet than needed. It gave some room for error but not a whole lot. The rough cuts of the first pieces were very encouraging. I was pleased with the beauty of the grain on the century old pieces.

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As I was beginning to work on some of the more challenging parts I ran into an unexpected problem. At first I dismissed some of the imperfections in the beams as flaws that would provide character. In reality it became a design-changing dilemma.

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I hadn’t expected the beams to be rotten. Beams I had used a few years ago for a dinning room table was fine. These were not. At first it seemed like the rot was not in areas that would experience stress so I still had hope. The basic form that motivated me would be preserved. Initially, I used wood glue to repair & keep structural integrity.

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As I cut more of the primary pieces I found lots more rot & realized I would need to attempt/inject some more serious repairs. It is always worthwhile to make a plan before you start. The Boy Scout motto of “Be Prepared” was an early & valuable lesson. As I got older, especially in my Freelance Career, I navigated challenges with a mantra of “Making It Up as You Go Along.” Even, when following your plan you encounter unexpected challenges & must adjust.

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Filler, putty & even Bondo for Wood made the beautiful old lumber into a Frankenstein creation. I realized I would have to put some “lipstick on this pig” to cover the problems. I adjusted my plans & decided to paint the bench hiding the ugly patches made. At least the design would still be there even if I couldn’t highlight the pure color & grain.

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I anticipated proportions of the basic sections would need to be tweaked. Before I assembled what I had cut I staged the 4 primary pieces. I saw it would require more than just a tweak. The basic concept was still good. But, for a functional bench, adjustments to the design proportions would need to be made.

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Using an old bench side for scale I saw that I was close but the shortcomings of the Pi Bench were pretty extreme. I didn’t have enough lumber to re-cut so I procrastinated & pondered for a while. I’ve learned patience has value.

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It might be maturity or a twist on being stubborn but I refused to abandon my idea. I went ahead & assembled 3 pieces for one side. I liked the form but realized continuing to make what I had into a bench would be disappointing on many levels. I know myself well enough that if I moved forward with the bench,  every time I looked at the finished work I would see flaws & compromises I made. My plans had become a failure.

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I told a neighbor about my mistakes & he said to call it practice. Making lemonade out of lemons now became a reference for my next step. These simple & memorable phrases can be helpful. I had learned a lot from the process, the problems I encountered & design errors. That simple nomenclature adjustment did change my perspective. I decided to use what I had cut & make a plant stand!

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Now when I look at what I made I don’t see mistakes & problems. I see a decisions that made the best out of a bad situation. I also see the next steps in learning how to take a good idea & bring it to completion. Instead of a Pi bench I came up with something else. I call it the Practice Stand.